+Info [EN]

Jo Ciantar

? Biografía:

Jo trains in Bolognese fencing at the Tampere School of Arms. Finland, under the instruction of Esko Ronimus. They have been training with numerous weapons and weapon combinations including sidesword unaccompanied, sidesword and dagger/cape/buckler as well as two-handed sword. In 2025, Jo achieved the first scholar rank, demonstrating a solid understanding of Bolognese fencing theory and technique, as well as its application in freeplay format. They were also promoted to assistant instructor and have taken an interest in the pedagogical aspects of fencing, with an emphasis on bridging the gap between theory and application. Jo has assisted Esko in beginner courses and seminars and they are together working on building online pedagogical material which will cover the content of the first scholar rank and serve as a guide for training and teaching Bolognese fencing. As part of Tampere School of Arms, Jo has also showcased Bolognese fencing in public events, including the medieval festival in Hämeenlinna in July 2024 and local events in Tampere.

In the breaks between training, Jo is doing research in molecular biology for their PhD studies at Tampere University. They have also taken an interest in academic teaching and they are studying pedagogy as a minor. They have organized and taught a course at the University of Oulu (Finland) and hope to continue on the path of teaching in the future.

⚔️ Taller 1:

TITLE: Distance as a provocation with Manciolino’s “spada da filo”.

DISCIPLINE: Sidesword.

DESCRIPTION: This workshop will cover the plays in Antonio Manciolino’s “Spada da filo” (1531), which all start with ‘stringere’ – slowly moving towards the opponent to close the distance. This puts pressure on the opponent with the intention of provoking them into attacking first. Following Bolognese fencing theory, the opponent’s attack gives us an opening to perform our own counter and take the upper hand. Manciolino’s plays provide us with counters to a variety of different attacks we can expect from our opponent, offering a usable framework and a good basic toolset that can be applied in freeplay.

BRIEF DESCRIPTION: This workshop will cover the plays in Antonio Manciolino’s spada da filo (1531), which all start with ‘stringere’ – slowly moving towards the opponent to close the distance. This puts pressure on the opponent with the intention of provoking them into attacking first. Following Bolognese fencing theory, the opponent’s attack gives us an opening to perform our own counter and take the upper hand. Manciolino’s plays provide us with counters to a variety of different attacks we can expect from our opponent, offering a usable framework and a good basic toolset that can be applied in freeplay.

DURATION: 90 minutes

PREVIUS EXPERIENCE: 2. Beginners – This is a workshop to learn the basics of a style.

CAPACITY: 20 people

REQUIRED EQUIPMENT: Any suitable one-handed sword, fencing mask, gloves (fencing jacket is not required but can be used)

⚔️ Taller 2:

TITLE: Just beat it: striking the opponent’s blade to create openings with plays from Dall’Agocchie’s Varying Guards

DISCIPLINE: Sidesword

DESCRIPTION: This workshop deals with beats – quick, sharp strikes directed towards the opponent’s weapon to knock it out of the way and create an opening to strike. The topic will be explored through selected plays from Giovanni dall’Agocchie’s Varying Guards (1572) and we will also draw from general Bolognese fencing theory to see how we can deal with beats when receiving them. After attending this workshop, participants will learn the basics of how to make and counter beats from both sides, adding a useful tool to one’s fencing repertoire that can be applied in freeplay settings.

BRIEF DESCRIPTION: This workshop deals with beats – quick, sharp strikes directed towards the opponent’s weapon to knock it out of the way and create an opening to strike. The topic will be explored through selected plays from Giovanni dall’Agocchie’s Varying Guards (1572) and we will also draw from general Bolognese fencing theory to see how we can deal with beats when receiving them. After attending this workshop, participants will learn the basics of how to make and counter beats from both sides, adding a useful tool to one’s fencing repertoire that can be applied in freeplay settings.

DURATION: 90 minutes

PREVIUS EXPERIENCE: 2. Beginners – This is a workshop to learn the basics of a style.

CAPACITY: 20 people

REQUIRED EQUIPMENT: Any suitable one-handed sword, fencing mask, gloves (fencing jacket is not required but can be used)

Jon Padilla

? Biografía:

• He currently works on developing educational projects and promoting autonomous sports (Canarian wrestling and Canarian stick fighting) in primary and secondary schools in the Canary Islands.
• He runs introductory workshops on Canarian wrestling and its history. Agüere Warriors.
• He conducts introductory workshops on Canarian wrestling. Ichasagua Festival.

• 1981 to 1999 – Professional wrestler.
  • Club de Lucha Concepción
  • Santa Cruz Club de Lucha
  • Universidad Club de Lucha
  • Club de Lucha Concepción Norte
• 1992 – Senior Sports Technician.
• 1992 to the present day – Expert in indigenous sports of the Canary Islands.
• 1999 – Canarian wrestling coach.

⚔️ Taller:

TITLE: Introduction to Canarian wrestling

DISCIPLINE: Canarian wrestling

DESCRIPTION: This workshop will cover some of the basics of Canarian wrestling – guard positions, techniques, rules, etc. – as well as explaining the historical context of this traditional form of wrestling, which has been practised in the Canary Islands for hundreds of years.

BRIEF DESCRIPTION: This workshop will cover some of the basics of Canarian wrestling – guard positions, techniques, rules, etc. – as well as explaining the historical context of this traditional form of wrestling, which has been practised in the Canary Islands for hundreds of years.

DURATION: 90 minutes.

PREVIUS EXPERIENCE: 1. All levels – Anyone can participate

CAPACITY: 20 people.

REQUIRED EQUIPMENT: Comfortable clothing.

Filipe Martins

? Biografía:

Examined as a HEMA instructor in 2016, he has been teaching classes ever since, focusing on hand-to-hand combat, knife and dagger fighting and, above all, combat with a rapier and double weapons (sword, dagger, buckler and cape), which has been his main focus, based on the study and interpretation of the treatise ‘Arte de Esgrima’ (The Art of Fencing) by Domingos Luís Godinho (1599).

Since 2018, he has been giving workshops both nationally and internationally, in Brussels (2018 and 2025), Dijon (2019, 2022, 2024), Brescia (2022), Santiago de Compostela (2022), Bilbao (2023) and Redondela (2025).

He is also dedicated to the transcription and/or translation into modern Portuguese of various treatises and manuals on HEMA and Military Art by various authors such as Domingos Luís Godinho, Henry de Saint Didier, Isidoro de Almeida, Girolamo Cavalcabo, Francesco Alfieri, etc. He has also given lectures on history and ancient fencing in Angra do Heroísmo (2022), Brescia (IFHEMA – MAM Symposium 2022) and Alconchel (Panóplia Ibérica 2023).

⚔️ Taller:

TITLE: The sword, dagger and “rodela” according to Domingos Luís Godinho

DISCIPLINE: Rapier, dagger and “rodela”.

DESCRIPTION: In this workshop, we will explore Godinho’s combat style with three of the main weapons featured in his Treatise: sword, dagger, and “rodela”.

We intend to address both the commonalities that connect the weapons, such as movement and the use of guards, as well as the unique characteristics of each one.

Finally, we will explore some of the specific chapters on the dagger and “rodela”, where we will find very similar situations and solutions.

BRIEF DESCRIPTION: In this workshop, we will explore Godinho’s combat style with three of the main weapons featured in his Treatise: sword, dagger, and “rodela”.

We intend to address both the commonalities that connect the weapons, such as movement and the use of guards, as well as the unique characteristics of each one.

Finally, we will explore some of the specific chapters on the dagger and “rodela”, where we will find very similar situations and solutions.

DURATION: 90 minutes.

PREVIUS EXPERIENCE: 1. All levels – Anyone can participate

CAPACITY: 24 people

REQUIRED EQUIPMENT: Rapier, dagger and “rodela” / equipment. For light sparring.

Chris Lee Becker

? Biografía:

Chris is director and instructor of the Academia da Espada Deutschland, which is the official german chapter of Academia da Espada under Maestro Ton Puey.

Since the end of 2019, he has specialized in fencing according to “La Verdadera Destreza”. He also trains fencing according to the italian school at the fencing school Krifon near Heidelberg under fencing master Christian Bott. Chris completed the trainer course of the Bavarian Fencing Association in the field of historical fencing in 2021. In sporting terms, he participated in several tournaments and won the title of German Champion 2021 in the discipline of rapier and was awarded “Best Technical Fencer” at the International Rapier Seminar in Copenhagen in 2022.

⚔️ Taller 1:

TITLE: “La Causa Sujeta”

DISCIPLINE: Single rapier according to “La Verdadera Destreza”

DESCRIPTION: In this workshop, we will explore the elegance and precision of blade engagement within the Spanish fencing tradition of La Verdadera Destreza.

Open to all experience levels, this session focuses on understanding and applying techniques from the bind, emphasizing both the control and the timely execution of actions from and with it. Through a combination of theory and practical exercises, participants will refine their ability to dominate the fight with structure, timing, and finesse.

BRIEF DESCRIPTION: In this workshop, we will explore the elegance and precision of blade engagement within the Spanish fencing tradition of La Verdadera Destreza.

Open to all experience levels, this session focuses on understanding and applying techniques from the bind, emphasizing both the control and the timely execution of actions from and with it. Through a combination of theory and practical exercises, participants will refine their ability to dominate the fight with structure, timing, and finesse.

DURATION: 90 minutes

PREVIUS EXPERIENCE: 1. All levels – Anyone can participate

CAPACITY: —

REQUIRED EQUIPMENT: Fencing mask, chest protection, light gloves and rapier.

⚔️ Taller 2:

TITLE: “When the dagger enters the game, things get serious.”

DISCIPLINE: Single rapier and sail dagger

DESCRIPTION: In this workshop, participants will dive into the essentials of rapier and sail dagger fencing, focusing on fundamental attacks, defense, and body structure. Special emphasis will be placed on the unique role of the sail dagger—its control, positioning, and defensive potential when used alongside the rapier.

Through playful exercises, dynamic drills, and partner work, you’ll develop fluid coordination, timing, and an understanding of how to move with precision and balance. The workshop will also include a focus on building strong body structure to enhance your overall effectiveness and control.

This session is ideal for beginners, offering a fun and engaging way to learn the core principles of dual-weapon fencing while building a solid foundation for more advanced techniques. Whether you’re looking to improve your skills or simply enjoy the challenge, this workshop will provide you with both the tools and confidence to take your fencing to the next level.

BRIEF DESCRIPTION: In this workshop, participants will explore the basics of rapier and sail dagger fencing, focusing on fundamental attacks, defense, and body structure. Emphasis will be placed on the dagger’s role in defense, with playful exercises and drills to develop coordination, timing, and balance for beginners.

DURATION: 90 minutes

PREVIUS EXPERIENCE: 1. All levels – Anyone can participate

CAPACITY: —

REQUIRED EQUIPMENT: Fencing mask, chest protection, light gloves, rapier and dagger.

Pedro Velasco

? Biografía:

He is currently the director and principal instructor of the Palestra Pedro Monte in Granada.

His main interest is focused on the study of the Ars Palestrinæ – Palestrian Arts -, disciplines that within the HEMA – Historical European Martial Arts – put martial practice before sports, working on a panoply of weapons that is articulated in the same theoretical corpus.

The sources of documentation of him are found mainly in late-medieval and Renaissance treatises, focusing the current investigation of him on Iberian and Italian authors.

To interpret and put into practice the concepts studied in historical treatises, he uses experimental archeology through material culture, in addition to his experience in other martial arts and contact sports, for the execution of biomechanical concepts.

In parallel, he is dedicated to historical dissemination by writing articles in magazines specialized in history and martial arts, as well as holding conferences in museums and other cultural institutions.

As well as in different parts of Spain, as part of his teaching curriculum, he has given seminars on the Artes de Palestra in France, Portugal, Poland and Mexico.

⚔️ Taller:

TITLE: Wrestling the dagger

DISCIPLINE: Dagger – wrestling

DESCRIPTION: Based on the dagger work of various Italian authors – Fiore Furlano, Pedro Monte, Philippo di Vadi and Achille Marozzo – we will work on the fundamentals of a system that goes far beyond weapon fencing and seeks to control the opponent through wrestling, using the dagger as a support tool rather than a fencing element.

BRIEF DESCRIPTION: Based on the dagger work of various Italian authors – Fiore Furlano, Pedro Monte, Philippo di Vadi and Achille Marozzo – we will work on the fundamentals of a system that goes far beyond weapon fencing and seeks to control the opponent through wrestling, using the dagger as a support tool rather than a fencing element.

DURATION: 90 minutes

PREVIUS EXPERIENCE: 2. Beginners – This is a workshop for learning the basics of a style.

CAPACITY: —

REQUIRED EQUIPMENT: Dagger – metal, wood or synthetic. The organisation will provide several simulators for loan – mask, light gloves.

Felipe Mangusto

? Biografía:

He has extensive experience in the study, training, and teaching of martial arts, having started karate training at the age of 12 and competing at the state level (Bahia) throughout his adolescence.

He also has two years of training in amateur MMA. For more than eight years, he has dedicated all his time to the study of historical fencing (HEMA).

He has participated in multiple tournaments in Brazil and competitions abroad (Germany) with excellent results, as well as travelling and attending groups around the world to study and train with renowned masters in our practice, such as Arto Fama, Bjorn Ruther, Marteen Van der Auwera, among others.

He was recently invited to participate in Fight Knight in Germany, one of the most important events on the current HEMA scene, where he had the opportunity to duel with Phillip Lechner, German champion and current number 1 in the German HEMA rankings.

⚔️ Taller 1:

TITLE: Time is everything, and everything is time.

DISCIPLINE: German Longsword, but for general use.

DESCRIPTION: This workshop aims to complement the study of techniques from manuals with examples of exercises and practical, easy-to-understand lessons on distance control, footwork, and timing.

The workshop aims to reach the conclusion that transforming different characteristics of fencing, such as posture, guard, distance and sense of expectation of your opponent into ‘timing’ to make your initial attack accurate and infallible is one of the best ways to understand many of the lessons in the manuals.

BRIEF DESCRIPTION: This workshop aims to complement the study of techniques from manuals with examples of exercises and practical, easy-to-understand lessons on distance control, footwork, and timing.

The workshop aims to reach the conclusion that transforming different characteristics of fencing, such as posture, guard, distance and sense of expectation of your opponent into ‘timing’ to make your initial attack accurate and infallible is one of the best ways to understand many of the lessons in the manuals.

DURATION: 90 minutes.

PREVIUS EXPERIENCE: 3. Intermediate level – Previous theoretical and practical knowledge of the subject matter of the workshop is required.

CAPACITY: —

REQUIRED EQUIPMENT: Fencing mask, fencing jacket, gloves and long sword – federswert or blunt sword –

⚔️ Taller 2:

TITLE: Structure and Protection: How to make your Zwerchau – really – work.

DISCIPLINE: German longsword.

DESCRIPTION: A workshop focusing on one of the most famous techniques of the German long sword school, the Zwerchau.

This workshop is inspired by Arto Fama’s studies and teachings on structure and use of the whole body to make the ‘zwerch’ a safe and effective strike.

In this workshop, we will analyse the Zwerchau technique and its application in various scenarios as a way to teach more about the correct way to structure your body to make your strikes firm, resolute, and controlled. This allows the use of Zwerch to defend against various attacks that come from above, as well as ways to defeat opponents who also use (or abuse) Zwerch as a weapon.

BRIEF DESCRIPTION: A workshop focusing on one of the most famous techniques of the German long sword school, the Zwerchau.

This workshop is inspired by Arto Fama’s studies and teachings on structure and use of the whole body to make the ‘zwerch’ a safe and effective strike.

In this workshop, we will analyse the Zwerchau technique and its application in various scenarios as a way to teach more about the correct way to structure your body to make your strikes firm, resolute, and controlled. This allows the use of Zwerch to defend against various attacks that come from above, as well as ways to defeat opponents who also use (or abuse) Zwerch as a weapon.

DURATION: 90 minutes.

PREVIUS EXPERIENCE: 3. Intermediate level – Previous theoretical and practical knowledge of the subject matter of the workshop is required.

CAPACITY: 20 people.

REQUIRED EQUIPMENT: Fencing mask, fencing jacket, gloves and long sword – federswert or blunt sword –

Eduardo Mayeya

? Biografía:

Eduardo Mayeya began his martial arts and sports training during his teenage years in disciplines such as parkour, Kung Fu, and other martial arts.

In 2016, he began his formal research practice in historical European martial arts (HEMA), and since then, he has participated in numerous seminars and tournaments both within and outside his country, travelling to learn and expand his knowledge of these martial arts.

In 2022, he co-founded the Arthenea Esgrima Histórica group, where he is also one of the instructors. Arthenea is a non-profit organisation dedicated to martial arts study, cultural dissemination and sports competition.

In the sporting arena, since 2022 he has achieved podium finishes in several national competitions. He complements this facet with the organisation and promotion of various martial arts and cultural events in collaboration with prestigious academic and cultural institutions such as the former presidential complex of Los Pinos and the National School of Anthropology and History, among others.

It currently continues its martial arts training along several lines of work:

Experimental archaeological work on the use of the macuahuitl.

Direction of the study group in Mexico of Academia da Espada by master Ton Puey, working on the tradition of “Verdadera Destreza” and “montante”.

Training in the teaching system of “Artes de Palestra” by maestro Pedro Velasco of the Palestra Pedro Monte.

Research and study of “La Verdadera Destreza del sable” according to the manual by Simón de Frías.

⚔️ Taller 1:

TITLE: Symmetry in combat, left-handed and right-handed.

DISCIPLINE: German longsword.

DESCRIPTION: This workshop aims to illustrate the possible complications that a longsword fencer may experience when facing a left-handed opponent and how to adapt to this symmetry during the bout.

Although in two-handed weapons, whether a fencer is right-handed or left-handed is not a determining factor, it is a condition to be taken into account. Although it does not generate situations as complex as when working in double harness, in a right-handed/left-handed confrontation, a fencer with some experience may experience ‘oddities’ when looking for openings, virtual “atajos” and the implementation of close play.

Emphasising these aspects, we will explain the concept of symmetry in combat, illustrating it with examples of common techniques and showing their variations in a right-handed versus left-handed context.

BRIEF DESCRIPTION: This workshop aims to illustrate the potential complications that a long sword fencer may encounter when facing a left-handed opponent and how to adapt to this symmetry during the bout.

DURATION: 90 minutes.

PREVIUS EXPERIENCE: 3. Intermediate level – Previous theoretical and practical knowledge of the subject matter of the workshop is required.

CAPACITY: 16 people.

REQUIRED EQUIPMENT: Fencing mask, light gloves, longsword.

⚔️ Taller 2:

TITLE: Macuahuitl and Necoctene, myth and reality.

DISCIPLINE: Macuahuitl, Mesoamerican martial arts.

DESCRIPTION: A theoretical and practical workshop that seeks to illustrate and clarify the reality of the most characteristic pair of weapons in the armoury of the pre-Hispanic civilisations of what is now Mexican territory.

During this workshop, several myths will be debunked, historical interpretations will be presented, and the social and cultural context closely linked to the practical use of these weapons will be explained.

BRIEF DESCRIPTION: A theoretical and practical workshop that seeks to illustrate and clarify the reality of the most characteristic pair of weapons in the armoury of the pre-Hispanic civilisations of what is now Mexican territory.

During this workshop, several myths will be debunked, historical interpretations will be presented, and the social and cultural context closely linked to the practical use of these weapons will be explained.

DURATION: 90 minutes.

PREVIUS EXPERIENCE: 1. All levels – Anyone can participate.

CAPACITY: 16 people.

REQUIRED EQUIPMENT: Fencing mask and light gloves.

Rui Ferreira

? Biografía:

Rui Ferreira is one of the founders and instructors of the Portuguese club Espada Negra.

Since 2015, he has studied British military sabre fencing from the Napoleonic period, focusing on Charles Roworth’s ‘The Art of Defence’, also studying the two previous Angelos, both Domenico and Henry, as well as additional sources from the period.

In 2016, he was appointed assistant instructor at the Academy of Historical Fencing, and has translated several treatises on sabre and other weapons used in the Napoleonic period into Portuguese and English.

In addition to sabre, he teaches rapier fencing according to Capo Ferro and Domenico Angelo’s smallsword.

⚔️ Taller 1:

TITLE: Domenico Angelo’s ‘Glizade’

DISCIPLINE: Smallsword.

DESCRIPTION: In this seminar, we will explore in detail the Glizade, one of the techniques presented by Domenico Angelo in the book ‘The School of Fencing’. We will analyse its practical applications and possible responses to this action, understanding its role within the art of fencing.

BRIEF DESCRIPTION: In this seminar, we will explore in detail the Glizade, one of the techniques presented by Domenico Angelo in the book ‘The School of Fencing’. We will analyse its practical applications and possible responses to this action, understanding its role within the art of fencing.

DURATION: 90 minutes.

PREVIUS EXPERIENCE: 3. Intermediate level – Previous theoretical and practical knowledge of the subject matter of the workshop is required.

CAPACITY: 20 people.

REQUIRED EQUIPMENT: Smallsword, fencing mask, jacket and light gloves.

⚔️ Taller 2:

TITLE: Senese’s ‘perspective’.

DISCIPLINE: Italian rapier.

DESCRIPTION: This workshop aims to be an introduction to teaching the Senese rapier and to disseminate his work. We will address topics such as perfect or imperfect weight, its background, measurements, perspectives and timing, using his philosophy of continuous movement as a basis.

BRIEF DESCRIPTION: This workshop aims to be an introduction to teaching the Senese rapier and to disseminate his work. We will address topics such as perfect or imperfect weight, its background, measurements, perspectives and timing, using his philosophy of continuous movement as a basis.

DURATION: 90 minutes.

PREVIUS EXPERIENCE: 3. Intermediate level – Previous theoretical and practical knowledge of the subject matter of the workshop is required.

CAPACITY: 20 people.

REQUIRED EQUIPMENT: Rapier, fencing mask, jacket and light gloves.

Marine Beaumel

? Biografía:

Marine started HEMA 13 years ago with I.33 and hasn’t stopped since. She has been an instructor for 12 years and co-founder of the Tampere HEMA club in Finland, where she was an instructor until 2021. She has also been a member of the Sword and Buckler Family since 2014, a collective based on sharing knowledge about epee-buckler fencing. Since 2022 she has been a member of the FFAMHE board. She has given numerous workshops all over Europe, and participated in a few competitions. Her favorite traditions are I.33 and cane, and 19th-century French boxing.

⚔️ Taller:

TITLE: Stich, stich, stich, the power of the priest.

DISCIPLINE: Sword and buckler 1.33

DESCRIPTION: The workshop will explore the use of the “estoc”, also called stich or “fixura”, in manuscript I.33.

This move, specific to the teachings of the priest, is found in various pieces and lies at the heart of this entire art of combat.

The first part of the workshop will focus on the biomechanical aspects of the “estoc”. The second part will analyse a series of situations described in some of the most advanced pieces of the manuscript. The aim is to arrive at a reconstruction that is as efficient and as close to the source as possible.

BRIEF DESCRIPTION: The workshop will explore the use of the “estoc”, also called stich or “fixura”, in manuscript I.33.

This move, specific to the teachings of the priest, is found in various pieces and lies at the heart of this entire art of combat.

The first part of the workshop will focus on the biomechanical aspects of the “estoc”. The second part will analyse a series of situations described in some of the most advanced pieces of the manuscript. The aim is to arrive at a reconstruction that is as efficient and as close to the source as possible.

DURATION: 90 minutes

PREVIUS EXPERIENCE: 1. All levels – Anyone can participate

CAPACITY: 30 people

REQUIRED EQUIPMENT: Fencing mask, gloves, arming sword (side sword accepted if no other option), buckler, throat protection.

Carlos Barrera

? Biografía:

Carlos Barrera is a martial artist of great seniority and recognised prestige, he is the president of the “Federación de Lucha del Garrote Canario” and has a long history as a practitioner and teacher – “Gran Maestro, Novena estrella de Lucha del Garrote Canario, Maestro 7 estrella, Tolete Canario, Maestro de Mano Canaria and Instructor de Astán Seghés” (Canarian Self Defence) and “Áttanatdá” (Canarian Women’s Defence), etc – as well as having a large number of national and international awards in recognition of his work.

⚔️ Taller:

TITLE: Canarian garrote fighting workshop

DISCIPLINE: Canarian garrote

DESCRIPTION: In this workshop we will teach some of the basics of Canarian garrote fighting.

BRIEF DESCRIPTION: In this workshop we will teach some of the basics of Canarian garrote fighting.

DURATION: 90 minutes

PREVIUS EXPERIENCE: 1. All levels – Anyone can participate

CAPACITY: 20 people

REQUIRED EQUIPMENT: Garrote

Emilia Cecylia Skirmuntt

? Biografía:

Emilia has trained how to hit people with swords and other objects for more than 20 years. During that time she has studied multiple weapons, systems, and in multiple different clubs, starting in Poland and then moving to London and Oxford. She has won medals in both women as well as open competitions both in the UK and abroad, fighting with longsword, rapier, rapier and dagger, saber, sidesword, and sidesword and buckler. She was also voted best technical fencer of By the Sword 2019. Emilia travelled around Europe leading workshops and seminars and was one of the representatives for the UK and Ireland HEMA team in the European Games taking place in Minsk in 2019. She is a member of the organising committes for the Wessex League, and Albion Cup, the biggest international competition in the UK. She also organised English Sidesword Open In Oxford in 2018.

Currently she is the head instructor for the Oxford Chapter of The School of the Sword. She teaches Italian longsword, dagger, rapier, sidesword, unarmed, and tomahawk techniques.

⚔️ Taller 1:

TITLE: No Rules but Skill: Knife and Tomahawk in Combat.

DISCIPLINE: Tomahawk and Bowie knife

DESCRIPTION: In this session, we turn our attention to two weapons rooted in the 18th–19th century American frontier: the tomahawk and the Bowie knife. Though not traditionally part of the European martial canon, these tools reflect many of the same principles we study in historical fencing — control of measure, timing, structure, and adaptability in close combat.

We’ll explore their historical context, discuss sources and reconstruction approaches, and examine how these weapons function both independently and as a paired system. This lesson isn’t just about techniques — it’s about understanding how martial systems evolve in response to environment, culture, and need.

Expect a hands-on, principle-driven exploration that links the past to the present — and maybe helps expand what we mean by “historical European martial arts”.

BRIEF DESCRIPTION: In this session, we turn our attention to two weapons rooted in the 18th–19th century American frontier: the tomahawk and the Bowie knife. Though not traditionally part of the European martial canon, these tools reflect many of the same principles we study in historical fencing — control of measure, timing, structure, and adaptability in close combat.

DURATION: 90 minutes

PREVIUS EXPERIENCE: All levels – Anyone can participate

CAPACITY: 15 people.

REQUIRED EQUIPMENT: Fencing mask, lighter gloves. Tomahawk and Bowie if owned.

⚔️ Taller 2:

TITLE: Introduction to Half-Swording Techniques.

DISCIPLINE: Two handed sword.

DESCRIPTION: This lesson introduces the principles and techniques of half-swording as described by Fiore dei Liberi, a renowned 15th-century Italian knight and master of arms. Half-swording, or «mezza spada,» is a technique used in armored combat where the fencer grips the blade of the sword with the off-hand to gain greater control, precision, and leverage. Participants will explore the historical context of half-swording, its practical applications in armored combat, and the mechanics of executing these techniques safely and effectively.

BRIEF DESCRIPTION: This lesson introduces the principles and techniques of half-swording as described by Fiore dei Liberi, a renowned 15th-century Italian knight and master of arms. Half-swording, or «mezza spada,» is a technique used in armored combat where the fencer grips the blade of the sword with the off-hand to gain greater control, precision, and leverage. Participants will explore the historical context of half-swording, its practical applications in armored combat, and the mechanics of executing these techniques safely and effectively.

DURATION: 90 minutes

PREVIUS EXPERIENCE: 1. All levels – Anyone can participate

CAPACITY: —

REQUIRED EQUIPMENT: Two handed sword, light gloves, fencing mask.

? Conferencia:

TITLE: Why Diversity Matters in Martial Arts.

DESCRIPTION: This lecture explores how diversity enriches martial arts communities — strengthening both skill and spirit. We’ll discuss how inclusive spaces foster creativity, resilience, and broader perspectives, and how welcoming people of different backgrounds, genders, ages, and abilities helps preserve and evolve our arts. By embracing diversity, we don’t just build better martial artists — we build stronger, more vibrant communities.

BRIEF DESCRIPTION: This lecture explores how diversity enriches martial arts communities — strengthening both skill and spirit. We’ll discuss how inclusive spaces foster creativity, resilience, and broader perspectives, and how welcoming people of different backgrounds, genders, ages, and abilities helps preserve and evolve our arts. By embracing diversity, we don’t just build better martial artists — we build stronger, more vibrant communities.

DURATION: 45 minutes.

Manuel Valle

? Biografía:

Born in Cantabria, a surgeon by profession and a fencer by vocation, he has spent more than two decades researching treatises on Iberian fencing traditions in libraries and private collections around the world.

He founded AGEA Editora to publish the results of this research, bringing together a team of professionals and researchers. He has edited several critical editions of “Verdadera Destreza” treatises, both in Spanish and Portuguese. He is also the author of the highly comprehensive Nueva Bibliografía de la Antigua Esgrima (New Bibliography of Ancient Fencing), a work unprecedented since that published by Leguina.

? Conferencia:

TITLE: Lorenz de Rada. A life in two worlds.

DESCRIPTION: Francisco Lorenz de Rada is recognised as one of the greatest exponents of “Destreza” at its peak. In addition to his works on “Destreza”, he was intensely involved in military and administrative activities. We will develop a perspective on his work and life with an emphasis on aspects of the political, military and cultural situation of his time.

BRIEF DESCRIPTION: Francisco Lorenz de Rada is recognised as one of the greatest exponents of “Destreza” at its peak. In addition to his works on “Destreza”, he was intensely involved in military and administrative activities. We will develop a perspective on his work and life with an emphasis on aspects of the political, military and cultural situation of his time.

DURATION: 60 minutes

Elena Miramontes

? Biografía:

High school teacher at IES Alfredo Brañas, in Carballo, with a degree in Classical Philology and a PhD from the Autonomous University of Madrid on Latin vocabulary related to textiles.

She has published several articles on different aspects of textiles in antiquity and, recently, the Latin text and Spanish translation of Pedro Monte’s ‘Collectanea’.

She is currently working on an article on the meaning of ‘sacaliña’ according to Pedro Monte himself, in the “Revista de Lexicografía” (Lexicography Journal) published by the University of A Coruña.

? Conferencia:

TITLE: Pedro Monte, closer than ever: Regarding the Spanish translation of his Collectanea.

DESCRIPTION: The translation of Pedro Monte’s Collectanea into Spanish was a historical necessity, as it is an essential text for understanding not only the combat techniques of the Spanish school, but also the technical terms used at the time, which have almost fallen into oblivion. The translation is finally being presented, and there will be a discussion of the process, the challenges encountered, as well as various facts and specific cases that may be of interest to those interested in reconstructing these techniques.

BRIEF DESCRIPTION: The translation of Pedro Monte’s Collectanea into Spanish was a historical necessity, as it is an essential text for understanding not only the combat techniques of the Spanish school, but also the technical terms used at the time, which have almost fallen into oblivion. The translation is finally being presented, and there will be a discussion of the process, the challenges encountered, as well as various facts and specific cases that may be of interest to those interested in reconstructing these techniques.

DURATION: 40 minutes

Pelayo Mejido

? Biografía:

Pelayo Mejido (Oviedo, 1989) studied history at the University of Oviedo and the UNED, attracted by his fascination with swords since childhood, which led him to practise fencing, kendo, kenjutsu, aikido… until he discovered the revival of historical European martial arts (HEMA) and historical re-enactment. This led him to found the “Escuela Asturiana de Esgrima Antigua” (EAEA) in 2011, where he is the main instructor in its four weapons rooms and teaches classes in rapier fencing, long sword, sword and buckler, sword and dagger, pole weapons, military sabre, ringen and “montante”, among others. Since 2013, he has been professionally dedicated to ancient fencing, combining it with the study of the use of weapons and armour by warriors and soldiers from different periods through experimental archaeology, as well as their social context, with the support of renowned historical reenactment associations such as AC Terra Carpetana (Iron Age), La Guardia RH (Middle Ages) and AECCSO La Camarada (Baroque).

As a teacher, he has given seminars on “Verdadera Destreza” in Spain and abroad (INDES Zusammenkunpft 2021 in Linz).

As a populariser, in addition to his strong presence on social media, he has been a speaker at numerous international university and scientific conferences. He is a member of Scenio (Association of Science Communicators). He has also worked in film, television, theatre and opera as a fight choreographer and historical advisor.

? Conferencia:

TITLE: The symbolism of the sword throughout history: power and nobility.

DESCRIPTION: A review of what a sword meant in various historical contexts to better understand those who wielded them.

Through various examples, we will review what a sword symbolised throughout European history. Understanding the social and cultural context of the weapon we are studying is essential to understanding its treatises and how it was used, and to what extent authors are conditioned by their means, philosophical currents and society. From pre-Roman societies to Baroque treatises, we will ask ourselves what a sword meant to them.

BRIEF DESCRIPTION: A review of what a sword meant in various historical contexts to better understand those who wielded them.

Through various examples, we will review what a sword symbolised throughout European history. Understanding the social and cultural context of the weapon we are studying is essential to understanding its treatises and how it was used, and to what extent authors are conditioned by their means, philosophical currents and society. From pre-Roman societies to Baroque treatises, we will ask ourselves what a sword meant to them.

DURATION: 60 minutes